Peter Oundjian opens the Colorado Music Festival Orchestra 2026 season with a program featuring Tchaikovsky’s heroic Fifth Symphony, as well as a world-premiere by composer Carter Pann, and violin soloist Himari on the Sibelius Violin Concerto.
Doors open at 6:30 PM | ticket information here
Peter Oundjian opens the Colorado Music Festival Orchestra 2026 season with a program featuring Tchaikovsky’s heroic Fifth Symphony, as well as a world-premiere by composer Carter Pann, and violin soloist Himari on the Sibelius Violin Concerto.
Doors open at 5:30 PM | ticket information here
Samuel Hollister leads the Colorado Music Festival Orchestra for a free family concert featuring excerpts from John Williams Liberty Fanfare, Antonín Dvořák beloved Symphony No. 9, and Sergei Prokofiev’s enchanting Peter & The Wolf, with narration in English and Spanish.
Doors open at 9:45 AM | ticket information here
Peter Oundjian leads the Colorado Music Festival Orchestra in a vibrant program highlighted by the festival debut of internationally acclaimed pianist Yuja Wang, performing Samuel Barber’s Piano Concerto. Wang then steps to the podium for her conducting debut with the orchestra, bringing to life Camille Saint-Saëns’ electrifying Bacchanale from Samson and Delilah. The evening culminates in Leonard Bernstein’s spirited Symphonic Dances from West Side Story.
Doors open at 6:30 PM | ticket information here
Peter Oundjian leads the Colorado Music Festival Orchestra in a vibrant program featuring internationally acclaimed pianist Yuja Wang in Samuel Barber’s Piano Concerto. Wang also takes the podium, conducting Camille Saint-Saëns’ electrifying Bacchanale from Samson and Delilah. The evening culminates in Leonard Bernstein’s spirited Symphonic Dances from West Side Story.
Doors open at 5:30 PM | ticket information here
Six-time Grammy–winning conductor and Music Director Laureate of the Detroit Symphony Orchestra Leonard Slatkin joins the Festival for a program celebrating the distinctive American sound. The evening opens with Aaron Copland’s Rodeo, featuring its iconic “Hoedown,” followed by the chaconne from John Corigliano’s score to The Red Violin, with violinist Njioma Grievous as soloist. After the break, the program continues with Ron Nelson’s tribute to the Savannah River, a haunting adagio by Cindy McTee, and concludes with George Gershwin’s An American in Paris.
Doors open at 6:30 PM | ticket information here
Music Director Peter Oundjian leads the Colorado Music Festival Orchestra in one of the most iconic works in orchestral repertoire: Holst’s The Planets. From the driving intensity of “Mars, the Bringer of War” to the ethereal serenity of “Neptune, the Mystic,” this seven-movement suite brings the cosmos vividly to life in Chautauqua Auditorium. In the first half, pianist Nobuyuki Tsujii performs Rachmaninoff’s lyrical Piano Concerto No. 2, and additionally features the world premiere of O Beautiful Unity by composer Leigha Amick.
Doors open at 6:30 PM | ticket information here
Music Director Peter Oundjian leads the Colorado Music Festival Orchestra in one of the most iconic works in orchestral repertoire: Holst’s The Planets. From the driving intensity of “Mars, the Bringer of War” to the ethereal serenity of “Neptune, the Mystic,” this seven-movement suite brings the cosmos vividly to life in Chautauqua Auditorium. In the first half, pianist Nobuyuki Tsujii performs Rachmaninoff’s lyrical Piano Concerto No. 2, and additionally features the world premiere of O Beautiful Unity by composer Leigha Amick.
Doors open at 5:30 PM | ticket information here
Conductor Gemma New returns to lead the Colorado Music Festival Orchestra in a vibrant program, opening with Prokofiev’s sparkling “Classical” Symphony, followed by Copland’s Clarinet Concerto featuring soloist Ricardo Morales. Morales also performs Rossini’s virtuosic Introduction, Theme, and Variations, one of the most celebrated works for the instrument. The program concludes with Ravel’s beloved Ma mère l’oye (Mother Goose) Suite, bringing to life Sleeping Beauty, Tom Thumb, Beauty and the Beast, and other cherished tales.
Doors open at 5:30 PM | ticket information here
Music Director Peter Oundjian leads the Colorado Music Festival Orchestra in a program that begins with the dramatic Overture to Verdi’s La forza del destino and features the festival debut of Valerie Coleman’s piano concerto, performed by Michelle Cann. The program will also feature Berlioz’s vivid Symphonie Fantastique, a masterful orchestral tour de force depicting a darkly imaginative series of scenes, from festive revelry to the macabre, culminating in an otherworldly finale.
Doors open at 6:30 PM | ticket information here
Music Director Peter Oundjian leads the Colorado Music Festival Orchestra in a program that begins with the dramatic Overture to Verdi’s La forza del destino and features the festival debut of Valerie Coleman’s piano concerto, performed by Michelle Cann. The program will also feature Berlioz’s vivid Symphonie Fantastique, a masterful orchestral tour de force depicting a darkly imaginative series of scenes, from festive revelry to the macabre, culminating in an otherworldly finale.
Doors open at 5:30 PM | ticket information here
Music Director Peter Oundjian continues his tradition of closing the Colorado Music Festival season with a Mahler symphony, this year presenting the radiant Symphony No. 3. Mahler described this work as “A Summer’s Midday Dream,” fully aware that he was defying symphonic convention: “But to write a symphony means, to me, to construct a world with all the tools of the available technique.” Grammy Award–winning mezzo-soprano Fleur Barron joins the Festival Orchestra, along with St. Martin’s Festival Singers and the Boulder Children’s Chorus, to bring this epic symphony vividly to life.
Doors open at 5:30 PM | ticket information here
Wolfgang Amadeus Mozart was just 14 years old when he wrote Mitridate, re di Ponto, a rare gem that has all the hallmarks of musical brilliance and hormonal adolescence. Angst, risky behavior, and fraught romance never sounded quite so good. Opera Philadelphia’s first production of Mitridate, re di Ponto stars blockbuster tenor Lawrence Brownlee as the titular king, alongside countertenor and OP General Director & President Anthony Roth Costanzo as his eldest son, Farnace, and soprano Meredith Wohlgemuth as the younger son, Sifare. Glittering soprano Lauren Snouffer portrays Aspasia, the woman all three love.
Philadelphia Premiere — New Production
Music by Wolfgang Amadeus Mozart
Libretto by Vittorio Amedeo Cigna-Santi
Directed by Emma Griffin
Doors open at 6:00PM | ticket information here
Wolfgang Amadeus Mozart was just 14 years old when he wrote Mitridate, re di Ponto, a rare gem that has all the hallmarks of musical brilliance and hormonal adolescence. Angst, risky behavior, and fraught romance never sounded quite so good. Opera Philadelphia’s first production of Mitridate, re di Ponto stars blockbuster tenor Lawrence Brownlee as the titular king, alongside countertenor and OP General Director & President Anthony Roth Costanzo as his eldest son, Farnace, and soprano Meredith Wohlgemuth as the younger son, Sifare. Glittering soprano Lauren Snouffer portrays Aspasia, the woman all three love.
Philadelphia Premiere — New Production
Music by Wolfgang Amadeus Mozart
Libretto by Vittorio Amedeo Cigna-Santi
Directed by Emma Griffin
Doors open at 6:00PM | ticket information here
Wolfgang Amadeus Mozart was just 14 years old when he wrote Mitridate, re di Ponto, a rare gem that has all the hallmarks of musical brilliance and hormonal adolescence. Angst, risky behavior, and fraught romance never sounded quite so good. Opera Philadelphia’s first production of Mitridate, re di Ponto stars blockbuster tenor Lawrence Brownlee as the titular king, alongside countertenor and OP General Director & President Anthony Roth Costanzo as his eldest son, Farnace, and soprano Meredith Wohlgemuth as the younger son, Sifare. Glittering soprano Lauren Snouffer portrays Aspasia, the woman all three love.
Philadelphia Premiere — New Production
Music by Wolfgang Amadeus Mozart
Libretto by Vittorio Amedeo Cigna-Santi
Directed by Emma Griffin
Doors open at 1:00PM | ticket information here
Violinist Sophia Stoyanovich and pianist Derek Wang will perform a recital for the Friends of Music of Stamford NY Chamber Series. The recital will feature Patrick Stoyanovich’s Romance for Violin and Piano, Mozart’s Violin Sonata in E minor K.304, and Richard Strauss’ Violin Sonata in E-flat Major, Op.18.
Doors open at 2:30PM | ticket information here
What is madness and what is truth? Must truth bend to power? Tennessee Williams’ feverish one-act play is the basis for 2023 MacArthur Fellow and former Opera Philadelphia Composer in Residence Courtney Bryan’s first opera. Hailed by The New York Times as a “composer of panoramic interests,” Bryan joins forces with Tony Award-winning director Daniel Fish (Rodgers and Hammerstein’s Oklahoma!) to present this Southern Gothic drama as a sweltering fusion of musical imagination and theatrical ingenuity. Anchored by soprano Mikaela Bennett as the embattled heroine Catharine Holly, with conductor Nathan Koci at the podium, this new work is part opera, part play, and all drama.
Philadelphia Premiere
Music by Courtney Bryan
Libretto by Gideon Lester and Daniel Fish based on the play by Tennessee Williams
Directed by Daniel Fish
Revival production directed by Mikhaela Mahony
Doors open at 6:00PM | ticket information here
What is madness and what is truth? Must truth bend to power? Tennessee Williams’ feverish one-act play is the basis for 2023 MacArthur Fellow and former Opera Philadelphia Composer in Residence Courtney Bryan’s first opera. Hailed by The New York Times as a “composer of panoramic interests,” Bryan joins forces with Tony Award-winning director Daniel Fish (Rodgers and Hammerstein’s Oklahoma!) to present this Southern Gothic drama as a sweltering fusion of musical imagination and theatrical ingenuity. Anchored by soprano Mikaela Bennett as the embattled heroine Catharine Holly, with conductor Nathan Koci at the podium, this new work is part opera, part play, and all drama.
Philadelphia Premiere
Music by Courtney Bryan
Libretto by Gideon Lester and Daniel Fish based on the play by Tennessee Williams
Directed by Daniel Fish
Revival production directed by Mikhaela Mahony
Doors open at 7:00PM | ticket information here
What is madness and what is truth? Must truth bend to power? Tennessee Williams’ feverish one-act play is the basis for 2023 MacArthur Fellow and former Opera Philadelphia Composer in Residence Courtney Bryan’s first opera. Hailed by The New York Times as a “composer of panoramic interests,” Bryan joins forces with Tony Award-winning director Daniel Fish (Rodgers and Hammerstein’s Oklahoma!) to present this Southern Gothic drama as a sweltering fusion of musical imagination and theatrical ingenuity. Anchored by soprano Mikaela Bennett as the embattled heroine Catharine Holly, with conductor Nathan Koci at the podium, this new work is part opera, part play, and all drama.
Philadelphia Premiere
Music by Courtney Bryan
Libretto by Gideon Lester and Daniel Fish based on the play by Tennessee Williams
Directed by Daniel Fish
Revival production directed by Mikhaela Mahony
Doors open at 1:00PM | ticket information here
An American president loses reelection, decides to overthrow the new government, and then redesigns the White House. This is the story of George and Ira Gershwin’s 1933 musical that aims its barbs at everything from totalitarianism to fashion shows. A dystopian farce that was the sequel to the Gershwin brothers’ Pulitzer Prize-winning Of Thee I Sing, Let ’Em Eat Cake features one of their most inventive scores. Visionary director Zack Winokur tackles this complex look at American culture in one of the first staged productions of the musical since its 1933 Broadway debut. Judy & Peter Leone Music Director Corrado Rovaris leads the Opera Philadelphia Orchestra, with Elizabeth Braden leading the voices of the Opera Philadelphia Chorus.
Music & Lyrics by George and Ira Gershwin
Book by George S. Kaufman and Morrie Ryskind
Directed by Zack Winokur
Doors open at 7:00 PM | ticket information here
An American president loses reelection, decides to overthrow the new government, and then redesigns the White House. This is the story of George and Ira Gershwin’s 1933 musical that aims its barbs at everything from totalitarianism to fashion shows. A dystopian farce that was the sequel to the Gershwin brothers’ Pulitzer Prize-winning Of Thee I Sing, Let ’Em Eat Cake features one of their most inventive scores. Visionary director Zack Winokur tackles this complex look at American culture in one of the first staged productions of the musical since its 1933 Broadway debut. Judy & Peter Leone Music Director Corrado Rovaris leads the Opera Philadelphia Orchestra, with Elizabeth Braden leading the voices of the Opera Philadelphia Chorus.
Music & Lyrics by George and Ira Gershwin
Book by George S. Kaufman and Morrie Ryskind
Directed by Zack Winokur
Doors open at 7:00 PM | ticket information here
An American president loses reelection, decides to overthrow the new government, and then redesigns the White House. This is the story of George and Ira Gershwin’s 1933 musical that aims its barbs at everything from totalitarianism to fashion shows. A dystopian farce that was the sequel to the Gershwin brothers’ Pulitzer Prize-winning Of Thee I Sing, Let ’Em Eat Cake features one of their most inventive scores. Visionary director Zack Winokur tackles this complex look at American culture in one of the first staged productions of the musical since its 1933 Broadway debut. Judy & Peter Leone Music Director Corrado Rovaris leads the Opera Philadelphia Orchestra, with Elizabeth Braden leading the voices of the Opera Philadelphia Chorus.
Music & Lyrics by George and Ira Gershwin
Book by George S. Kaufman and Morrie Ryskind
Directed by Zack Winokur
Doors open at 1:00 PM | ticket information here
For the first time in over two decades, Verdi’s monumental masterwork returns to the Academy of Music in a lush new production from director Kaneza Schaal and visual artist Christopher Myers. Drawing from histories, forms, and traditions born in places where the African diaspora collided with other peoples, this new staging explores the opera’s imagined histories, rich complexities, and cultural tensions that have granted it an enduring allure. This Aida brings the timeless story of love, betrayal, and sacrifice to life while illuminating themes of identity, power, and conflict that remain strikingly relevant today, allowing us to hear Verdi’s iconic score in a whole new way. Powerhouse soprano Tiffany Townsend makes her role debut in the title role, alongside tenor Jonathan Burton (Radamès), bass-baritone Alfred Walker (Amonasro), and mezzo-soprano Aubrey Odle (Amneris).
New production
Music by Giuseppe Verdi
Libretto by Antonio Ghislanzoni
Directed by Kaneza Schaal
Co-Production with Houston Grand Opera, Lyric Opera of Chicago, and LA Opera
Doors open at 7:00 PM | ticket information here
For the first time in over two decades, Verdi’s monumental masterwork returns to the Academy of Music in a lush new production from director Kaneza Schaal and visual artist Christopher Myers. Drawing from histories, forms, and traditions born in places where the African diaspora collided with other peoples, this new staging explores the opera’s imagined histories, rich complexities, and cultural tensions that have granted it an enduring allure. This Aida brings the timeless story of love, betrayal, and sacrifice to life while illuminating themes of identity, power, and conflict that remain strikingly relevant today, allowing us to hear Verdi’s iconic score in a whole new way. Powerhouse soprano Tiffany Townsend makes her role debut in the title role, alongside tenor Jonathan Burton (Radamès), bass-baritone Alfred Walker (Amonasro), and mezzo-soprano Aubrey Odle (Amneris).
New production
Music by Giuseppe Verdi
Libretto by Antonio Ghislanzoni
Directed by Kaneza Schaal
Co-Production with Houston Grand Opera, Lyric Opera of Chicago, and LA Opera
Doors open at 6:00 PM | ticket information here
For the first time in over two decades, Verdi’s monumental masterwork returns to the Academy of Music in a lush new production from director Kaneza Schaal and visual artist Christopher Myers. Drawing from histories, forms, and traditions born in places where the African diaspora collided with other peoples, this new staging explores the opera’s imagined histories, rich complexities, and cultural tensions that have granted it an enduring allure. This Aida brings the timeless story of love, betrayal, and sacrifice to life while illuminating themes of identity, power, and conflict that remain strikingly relevant today, allowing us to hear Verdi’s iconic score in a whole new way. Powerhouse soprano Tiffany Townsend makes her role debut in the title role, alongside tenor Jonathan Burton (Radamès), bass-baritone Alfred Walker (Amonasro), and mezzo-soprano Aubrey Odle (Amneris).
New production
Music by Giuseppe Verdi
Libretto by Antonio Ghislanzoni
Directed by Kaneza Schaal
Co-Production with Houston Grand Opera, Lyric Opera of Chicago, and LA Opera
Doors open at 7:00 PM | ticket information here
For the first time in over two decades, Verdi’s monumental masterwork returns to the Academy of Music in a lush new production from director Kaneza Schaal and visual artist Christopher Myers. Drawing from histories, forms, and traditions born in places where the African diaspora collided with other peoples, this new staging explores the opera’s imagined histories, rich complexities, and cultural tensions that have granted it an enduring allure. This Aida brings the timeless story of love, betrayal, and sacrifice to life while illuminating themes of identity, power, and conflict that remain strikingly relevant today, allowing us to hear Verdi’s iconic score in a whole new way. Powerhouse soprano Tiffany Townsend makes her role debut in the title role, alongside tenor Jonathan Burton (Radamès), bass-baritone Alfred Walker (Amonasro), and mezzo-soprano Aubrey Odle (Amneris).
New production
Music by Giuseppe Verdi
Libretto by Antonio Ghislanzoni
Directed by Kaneza Schaal
Co-Production with Houston Grand Opera, Lyric Opera of Chicago, and LA Opera
Doors open at 1:00 PM | ticket information here
Don’t touch that dial…after a brief commercial break we’ll return with the misadventures of Max, Bettina, Joan, and Vendetta. Developed over the past decade with Opera Philadelphia, this world premiere is a neo-baroque comic chamber opera that combines the structures of a modern sitcom with those of baroque opera, creating a new form of storytelling that’s as far out as it is familiar and fun. As in classic TV, Sitcom’s four main characters are delightfully trapped in the eternal present of their own worlds—twenty-somethings who can’t help getting into trouble, finding adventure, and falling for the wrong octopus.
World Premiere
Music by Luke Styles
Libretto by Alan McKendrick
Doors open at 6:00 PM | ticket information here
Don’t touch that dial…after a brief commercial break we’ll return with the misadventures of Max, Bettina, Joan, and Vendetta. Developed over the past decade with Opera Philadelphia, this world premiere is a neo-baroque comic chamber opera that combines the structures of a modern sitcom with those of baroque opera, creating a new form of storytelling that’s as far out as it is familiar and fun. As in classic TV, Sitcom’s four main characters are delightfully trapped in the eternal present of their own worlds—twenty-somethings who can’t help getting into trouble, finding adventure, and falling for the wrong octopus.
World Premiere
Music by Luke Styles
Libretto by Alan McKendrick
Doors open at 7:00 PM | ticket information here
Don’t touch that dial…after a brief commercial break we’ll return with the misadventures of Max, Bettina, Joan, and Vendetta. Developed over the past decade with Opera Philadelphia, this world premiere is a neo-baroque comic chamber opera that combines the structures of a modern sitcom with those of baroque opera, creating a new form of storytelling that’s as far out as it is familiar and fun. As in classic TV, Sitcom’s four main characters are delightfully trapped in the eternal present of their own worlds—twenty-somethings who can’t help getting into trouble, finding adventure, and falling for the wrong octopus.
World Premiere
Music by Luke Styles
Libretto by Alan McKendrick
Doors open at 7:00 PM | ticket information here
Don’t touch that dial…after a brief commercial break we’ll return with the misadventures of Max, Bettina, Joan, and Vendetta. Developed over the past decade with Opera Philadelphia, this world premiere is a neo-baroque comic chamber opera that combines the structures of a modern sitcom with those of baroque opera, creating a new form of storytelling that’s as far out as it is familiar and fun. As in classic TV, Sitcom’s four main characters are delightfully trapped in the eternal present of their own worlds—twenty-somethings who can’t help getting into trouble, finding adventure, and falling for the wrong octopus.
World Premiere
Music by Luke Styles
Libretto by Alan McKendrick
Doors open at 1:00 PM | ticket information here
Violinist Sophia Stoyanovich and pianist Derek Wang will present a recital for the Rhode Island Core Memory Music Series entitled “Musically Yours, Love Letters in Music.” The recital will feature Patrick Stoyanovich’s Romance for Violin and Piano, Mozart’s Violin Sonata in E minor K.304, and Richard Strauss’ Violin Sonata in E-flat Major, Op.18.
Doors open at 1:00 PM | ticket information here
Carnegie Hall’s Link Up: The Orchestra Sings brings NYC-based professional musicians into sustained educational partnership with New York City public school students, culminating in an interactive performance at Carnegie Hall. This season’s program explores the question “What Is Melody?” and features works by Ludwig van Beethoven, Antonín Dvořák, Igor Stravinsky, Thomas Cabaniss, and Valerie Coleman, among others.
Doors open at 9:30AM | ticket information here
Pegasus: The Orchestra concludes it’s season tracing the arc from song, to concerto, to ballet, bringing rarely heard works to the stage alongside one of the twentieth century’s most vivid orchestral voices. Program to include Komitas Vardapet’s Songs for Voice and Orchestra, featuring soprano Tatev Baroyan, Arno Babadjanian’s Cello Concerto featuring soloist Suren Bagratuni, Edvard Bagdasarian’s Rhapsody for Violin and Orchestra with soloist Ruggero Allifranchini, and concluding with Aram Khachaturian’s Spartacus and Gayaneh.
Doors open at 7:00PM | ticket information here
First organized 50 years ago by Isaac Stern, Carnegie Hall’s legendary “Concert of the Century” united the world’s greatest musicians to honor the Hall’s May 5 opening in 1891. Now, 135 years later, Carnegie Hall celebrates with another once-in-a-lifetime all-star gathering, as a new generation of icons—including Emanuel Ax, Joyce DiDonato, Michael Feinstein, Renée Fleming, Evgeny Kissin, Lang Lang, Isabel Leonard, Audra McDonald, Yannick Nézet-Séguin, and Daniil Trifonov perform a program that brings the Hall’s story to life for today’s audiences, joined by the NYO-USA All-Stars and the Oratorio Society of New York.
Doors open at 6:00PM | ticket information here
Ming Luke will lead the Charleston Symphony for a concert featuring Respighi’s Pines and Fountains of Rome, as well as pianist Maxim Lando joining for a performances of Gershwin’s Piano Concerto.
Doors open at 7:00PM | ticket information here
Violinist Sophia Stoyanovich and pianist Derek Wang will perform a recital for the Manchester Midday Concert Society at Bridgewater Hall. The recital will feature Patrick Stoyanovich’s Romance for Violin and Piano, Mozart’s Violin Sonata in E minor K.304, and Richard Strauss’ Violin Sonata in E-flat Major, Op.18.
Doors open at 12:30PM | ticket information here
Violinist Sophia Stoyanovich and pianist Derek Wang will perform a recital for the St. Olaves Lunchtime Concert Series in London. The recital will feature Patrick Stoyanovich’s Romance for Violin and Piano, Mozart’s Violin Sonata in E minor K.304, and Richard Strauss’ Violin Sonata in E-flat Major, Op.18.
Doors open at 12:30PM | ticket information here
Violinist Sophia Stoyanovich and pianist Derek Wang will perform a recital for the St. Giles’ Afternoon Concert Series at St. Giles’ Cathedral in Edinburgh. The recital will feature Patrick Stoyanovich’s Romance for Violin and Piano, Mozart’s Violin Sonata in E minor K.304, and Richard Strauss’ Violin Sonata in E-flat Major, Op.18.
Doors open at 11:30AM | ticket information here
Conductor Tengku Irfan leads Ensemble Fantasque in a concert devoted to the wit and allure of the chromatic, featuring works by Schoenberg, Carter, Takemitsu, Ruth Crawford Seeger, and Ives, at the Tenri Cultural Institute in New York City.
Doors open at 7:00PM | ticket information here
Pegasus: The Orchestra celebrates Maurice Ravel’s 150th Anniversary with a program dedicated to the composers works at Merkin Hall. Program will also included Prokofiev’s beloved “Classical” Symphony No.1 in D Major.
Doors open at 7:00PM | ticket information here
William Eddins returns to lead the Charleston Symphony in a Masterworks Series program spotlighting music by Lili Boulanger, Camille Saint-Saëns, and Nikolai Rimsky-Korsakov. The evening features Rimsky-Korsakov’s beloved Scheherazade, with performances by CSO Artist-in-Residence Zuill Bailey and violinist Yuriy Bekker.
Doors open at 7:00PM | ticket information here
Carnegie Hall opens its 135th season in Stern Auditorium with the NYO-USA All-Stars, an ensemble of distinguished alumni led by conductor Daniel Harding. The program features Bernstein’s Symphonic Dances from West Side Story, Tchaikovsky’s Piano Concerto No. 1 with Yuja Wang as soloist, and Stravinsky’s The Firebird Suite.
Doors open at 5:30PM | ticket information here
Vocalists Elaine Daiber and Thomas West join violinist Sophia Stoyanovich and pianist Derek Wang for the world premier of Pacific Northwest composer Patrick Stoyanovich’s St. Cecilia Requiem at St. Cecilia Parish on Bainbridge Island.
Doors open at 2:00PM | ticket information here
Martin Fröst leads the Berlin Radio Symphony Orchestra in a program celebrating the works of Wolfgang Amadeus Mozart, Johannes Brahms, Béla Bartók, Ludwig van Beethoven and Goran Fröst.
Doors open at 7:30PM | ticket information here
Thomas Adès leads the Berlin Radio Symphony Orchestra for a performance at the Berlin Philharmonie, highlighting works by Adès, Debussy, Mark Simpsons, and concluding with Sibelius’ Symphony No.7 in C Major.
Doors open at 7:30PM | ticket information here
Andreas Feller leads the Berlin Radio Symphony Orchestra for a program celebrating film icons John Williams, Ennio Morriconne, Hans Zimmer and others with Malte Arkona presenting.
Doors open at 2:30PM | ticket information here
With the new “Jazzik” series, the Berlin Radio Symphony Orchestra fuses jazz, classical, and minimalist music. Clark Rundell conducts works by Johann Sebastian Bach, Ludwig van Beethoven, and Brad Mehldau. Brad Mehldau joins as piano soloist for works and improvisations by himself.
Doors open at 7:00PM | ticket information here
Violinist Sophia Stoyanovich and pianist Derek Wang will perform a recital for the Chicago Musicians Club of Women Artists in Recital Series at the Fourth Presbyterian Church. Repertoire to include works by Leoš Janáček, Charles Ives, and Patrick Stoyanovich.
Doors open at 11:30AM, free admission | more information here
Violinist Sophia Stoyanovich and pianist Derek will present a free recital on the Upper West Side of works by Leoš Janáček, Charles Ives, Sergei Rachmaninoff and Patrick Stoyanovich.
Doors open at 5:00PM, free admission | more information here
Juilliard Rush Hour celebrates Rainer Maria Rilke at 150 with an evening of poetry, chamber music, and song, featuring settings of Rilke’s texts by a trio of his contemporaries (Berg, A. Mahler, and Schreker) and by a trio of Americans (Barber, Bernstein, and Lieberson), a Rilke-inspired chamber work by Stephen Hough, a melodrama by Viktor Ullmann, and a selection of Orpheus-inspired works alongside readings from Rilke’s Sonnets to Orpheus. Program to follow.
Doors open at 5:00PM, free admission | more information here
Jörg Widmann leads the Berlin Radio Symphony Orchestra for a program devoted to the works of Wolfgang Amadeus Mozart and Jörg Widmann. Soloists Christa Schönfeldinger and Teodoro Anzellotti join the orchestra on the glass harmonica and accordion.
Doors open at 7:30PM | ticket information here
Steffen Tast leads the Berlin Radio Symphony Orchestra in a concert of ‘musical guessing games’ featuring Edward Elgar’s beloved Enigma Variations with Juri Tetzlaff presenting.
Doors open at 2:30PM | ticket information here
Susanne Blumenthal leads the Berlin Radio Symphony Orchestra for an evening of literature and music. Meike Rötzer narrators from the novel “Orlando” by Virginia Woolf, musically enhanced by selections from Gustav Mahler to Maria Herz.
Doors open at 7:00PM | ticket information here
Vasily Petrenko leads the Berlin Radio Symphony Orchestra in a concert featuring Britten’s “Four Sea Interludes”, Maurice Ravel’s “Shéhérazade” with mezzo-soprano Véronique Gens, and Rimski-Korsakow’s Symphonic Suite “Scheherazade” Op. 35.
Doors open at 7:30PM | ticket information here
Vladimir Jurowski leads the Berlin Radio Symphony Orchestra in a concert featuring Brahms’ Piano Concerto No.1 with soloist Yefim Bronfman, in addition to the Prelude from Wagner’s Parsifal and Mahler’s Symphony No.10.
Doors open at 7:30PM | ticket information here
Enno Poppe leads the Berlin Radio Symphony Orchestra in the Ultraschall Festival for New Music at the Haus des Rundfunks. Program to include the works of Misha Cvijović, Georg Katzer, Margareta Ferek-Petric, Christian Mason, and Márton Illés.
Doors open at 7:30PM | ticket information here
Frank Strobel leads the Berlin Radio Symphony Orchestra and the Rundfunkchor Berlin in a film collaboration of Henry V, featuring the works of William Walton at the Konzerthaus Berlin.
Doors open at 7:30PM | ticket information here
Vladimir Jurowski leads the Berlin Radio Symphony Orchestra for a performance of Beethoven’s Ninth Symphony at the Konzerthaus Berlin. The concert will also feature the world premiere performance of a new work by Torsten Rasch comissioned by the RSB.
Doors open at 7:00PM | ticket information here
Vladimir Jurowski leads the Berlin Radio Symphony Orchestra for a performance of Beethoven’s Ninth Symphony at the Konzerthaus Berlin. The concert will also feature the world premiere performance of a new work by Torsten Rasch comissioned by the RSB.
Doors open at 7:00PM | ticket information here
Violinist Sophia Stoyanovich and pianist Derek Wang perform Berg’s Chamber Concerto with Ensemble Fantasque, led by conductor Tenguk Irfan at the DiMenna Center in New York. The concert will also feature performances of Webern’s Concerto for Nine Instruments Op. 24 and Schoenberg’s Friede auf Erden, arranged by Tenguk Irfan.
Doors open at 6:30PM | ticket information here
Celebrate Ives at 150 with the Juilliard’s Rush Hour Series. Featuring performances by alumni Sophia Stoyanovich, Lauren Randolph, Derek Wang, and Trio Puma, the Rush Hour Series presents a more in-depth examination of composers outside of the traditional concert hall.
Doors open at 3:00PM, free admission | more information here
